Poetry in Modern Literature

Authors

  • Sunita Devi  Assistant Professor (Sanskrit), Buddha University College, Siddharthnagar, Uttar Pradesh, India

Keywords:

Abstract

Poetry is ‘poetry, for it is the work of a poet skilled in describing the latter, distinct from the Vedas and other disciplines, Puranas and other histories, by its tendency to trade in the sense of semantics and qualities’1 In fact, when the poet is in samadhi, a pleasant meaning and some words capable of expressing that meaning appear before him because of talent and it is because of talent with derivation and practice that the poet creates poetry is capable of and at the same time the tendency is also reflected in the world that 'even the slowest does not practice for the sake of purpose' In fact, according to this judgment, even a person of slow intelligence does not engage in useless work. No matter what the work is, all expect a purpose, so the question arises as to whether this poetic work has a purpose or a specific purpose ̈Jan is.

References

  1. Kavyaprakasha, the first joy, the second factor, the instinct part.
  2. Natyashaóm, Chapter I, Carica 113-1
  3. Poetic Ornamentation, 1/2
  4. Kavyalankarasutram, 1/1
  5. Saraswati Necklace, 1/2
  6. Phonetic ̈ka, 1/1
  7. Vakra ̈ktijivitam, 1/3
  8. Kavyaprakash, 1/4
  9. Dhvanyal ̈kal ̈chantika, first ̈dy ̈t.
  10. Modern Sanskrit Poetry, p.
  11. Ibid., p.
  12. Ibid., p.
  13. Ibid., p.
  14. Sahityamanjari, p.
  15. Literary Discussion, p.
  16. Ibid., p.
  17. Abhinavakavyaprakasha, First ̈nmesh, Carica-2
  18. Literary Discipline, p.
  19. Ibid., pp. 229-230.
  20. Abhinavanatyashaóm, 4, Introduction, Chapter I, p.
  21. Abhinavakavyaóm, Sutra-17, Carica 58, p.
  22. Discrimination of the Elements of Poetry, Poetic Purpose ̈Janam, Carica, 1-4, pp. 53-5
  23. Ibid., p. 54 A©r 61 Vrittibhag.
  24. Kavyasatyala ̈kah, 5/6
  25. Ibid., p.
  26. Ibid., p.
  27. Ibid., p.
  28. Ibid., p.
  29. Kavyasatyala ̈kah, 5/7
  30. Kavyalankarakarika, Carica-
  31. Whereas, Carica-
  32. Whereas, Carica-
  33. Ibid., Carica-14,1
  34. Whereas, Carica-
  35. Ancient Critical Poetics of Sanskrit, pp. 187-8
  36. Navyakavyatattvamimansa (quoted from ibid., p. 193)
  37. Ancient Critical Poetics of Sanskrit, p.
  38. Ibid., p
  39. Abhirajayash ̈bhusanam, First ̈nmesh, Kavyapraya ̈janprakaram, p.
  40. Whereas, Carica-
  41. Abhinavakavyalankara Sutra,Definition of the Purpose of Poetry, Chapter II, Sutra, 1/2/1
  42. Ibid., Vrittibhag, p.
  43. Ibid., Formulas-1/2/4, 1/2/5, 1/2/6, 1/2/7
  44. Ibid., p. 16, Vrittibhag.
  45. Ancient Critical Poetics of Sanskrit, pp. 191-9
  46. Abhinavakavyalankarasutram, Hindi commentary, p.
  47. Ibid., p.
  48. Abhinavakavya Shaóm, p0 63 it is sham.

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Published

2015-03-25

Issue

Section

Research Articles

How to Cite

[1]
Sunita Devi, " Poetry in Modern Literature, International Journal of Scientific Research in Science and Technology(IJSRST), Online ISSN : 2395-602X, Print ISSN : 2395-6011, Volume 1, Issue 1, pp.157-168, March-April-2015.